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Common problems this may fix: Pro Tools software or hardware drivers fail to install. Pro Tools does not launch. No LED power light on a connected, bus powered Avid audio interface. The regions can be unlocked by simply pressing Command L again. If most of your Pro Tools projects have a similar structure, use a template to save set-up time and increase consistency. Track configurations, plug-ins, markers, even audio elements can be saved and reused in future projects. Create a template by making a new empty session in the configuration you most use: number and types of tracks, with names; plug-ins; markers; recurring audio, such as a theme or break music.
Navigate to your template, and click open. Ignore the top half of the dialog unless your new session is at a different sample rate from your template. Option click on any of the tracks in the bottom half of the dialog to add all of them as new tracks, or individually select which tracks to import. Your session will open with tracks named, plugins configured, markers and audio in-place. Slip and Shuffle modes are pretty well-understood, but Grid and Spot modes are less familiar to may users.
Spot can be very helpful when working on any production with defined timings. Drag audio into or within a track while in Spot mode, and the spot dialog window will open. There you can choose to define a precise start or end time of a region. The trimmer tool can also be used in spot mode, constraining the trimming of the start or end times of a region to absolute times.
Using Spot, Regions can be trimmed or moved to an exact start or end time without zooming in and moving or trimming or fading by eye. Bouncing the act of rendering a Pro Tools multitrack project to a mixed file is more problematic than it should be. There are a few workarounds for these problems. If the session consists of a single mono or stereo track, and no automation or plug-ins are used, the file can be Consolidated , rather than bounced.
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This process runs at many times real-time, creating a new file from the edited original. For more complex productions, involving overlapping multitrack audio, volume automation, and real-time plug-ins, bouncing is the primary way of rendering the production to a final stereo or mono file.
Usually the problem has nothing to do with these things. First, turn off Airport, or other wireless networking. If the error continues, make sure there are no other background processes running while the bounce is proceeding. If the bounce repeatedly fails, it may be more efficient to create a new audio track in your session, and set that track to record the output of the session. For some reason this process tends to go smoother than a bounce, and even if it fails, a partial recording is made, so multiple passes can be made if necessary, and then consolidated.
Add a new audio track, and name it something distinctive, like ProjectnameMix. Then set the inputs of this new audio track to the same bus as the other tracks are using as an output.
Highlight the audio you want to record, click the record-ready button on the new audio track, then press Command Spacebar to start recording. The recording will stop at the end of the highlighted region. That newly-created soundfile will reside in the Audio folder of the current session. It will be split-stereo, so if you need it as an interleaved stereo file to burn to CD, or convert to mp3, etc. Even though this too is a real-time process, if Pro Tools stalls during playback, you will retain the recording up to that time, allowing you to start the recording again later in the session, rather than starting again from the beginning with a bounce.
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It also allows you to watch meters and automation moves, which are disabled during a bounce. Help Transom get new work and voices to public radio by donating now. Pro Tools may occasionally display error messages referring to disc errors. These could be the result of many different problems, and sadly the error messages rarely give you many clues. There are a few common problems that are relatively easily solved, so try these before doing anything drastic, like reinstalling Pro Tools or your operating system which may sometimes be required.
There are links to grids and charts for the various software versions, OS versions and hardware, here:.
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If your audio drive is set to T or P, click on that letter and change it to R. If it will not change, restart Pro Tools and try again. Digidesign has some troubleshooting tools, including a Tech Support Utility here:. You can do keyword searches on problems you see, including the obscure error codes that pop-up.
Occasionally drive problems are caused by a corrupted database file, or corrupted preferences.
Each drive has a small Pro Tools-generated database file named volume. If those files are deleted, and Pro Tools is restarted, new versions of the databases are created, often solving the problem. Select the section of audio that need treatment, then choose the Audiosuite process you wish to apply from the Audiosuite menu. Depending on the process, you might want to select a little bit more audio than you need, run the Audiosuite process, then create short crossfades across the edges to smooth the transitions into and out of the processed regions. After doing extensive editing, the regions bin the list of soundfiles and regions at the right of the edit screen can become cluttered with superfluous regions, segments of audio that have been trimmed from the original soundfiles and are no longer active in your session, or clips that were loaded into the session but never used.