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  1. All Of The Affairs And Backstabbing Behind Fleetwood Mac's "Rumours"
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  3. The story behind Fleetwood Mac’s ‘Rumours’
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The members partied and used cocaine for much of the recording sessions, and its completion was delayed by its mixing process, but was finished by the end of Following the album's release, Fleetwood Mac undertook worldwide promotional tours. Rumours reached the top of both the US Billboard and the United Kingdom Albums Chart , and became the band's most successful release.

Having won the Grammy Award for Album of the Year in , Rumours has since sold over 40 million copies worldwide, making it one of the best-selling albums of all time , and has received diamond certifications in several countries, including the United States, Canada, and Australia. The album garnered widespread acclaim from critics, with praise centred on its production quality and harmonies , which frequently relied on the interplay among three vocalists and has inspired the work of musical acts in different genres.

Often considered Fleetwood Mac's best release, it has featured in several publications' lists of the best albums of the s and of all time. In , Rumours was remastered and reissued with the addition of " Silver Springs ", which had been excluded from the original due to tension within the band, and a bonus CD of outtakes from the recording sessions. In , the album was selected for preservation in the National Recording Registry , being deemed "culturally, historically, or artistically significant" by the Library of Congress.

In July , Fleetwood Mac's eponymous tenth album was released to great commercial success, reaching No. The record's biggest hit single, " Rhiannon ", gave the band extensive radio exposure. After six months of non-stop touring, the McVies divorced, ending eight years of marriage.

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All Of The Affairs And Backstabbing Behind Fleetwood Mac's "Rumours"

The duo's arguments stopped only when they worked on songs together. Press intrusions into the band members' lives led to inaccurate stories. Christine McVie was reported to be in the hospital with a serious illness, while Buckingham and Nicks were declared the parents of Fleetwood's daughter Lucy after being photographed with her. The press also wrote about a rumoured return of original Fleetwood Mac members Peter Green , Danny Kirwan , and Jeremy Spencer for a 10th anniversary tour.

The duo formed a company called Seedy Management to represent the band's interests. Production duties were shared by the three parties, while the more technically adept Caillat was responsible for most of the engineering; he took a leave of absence from Wally Heider Studios in Los Angeles on the premise that Fleetwood Mac would eventually use their facilities. Most band members complained about the studio and wanted to record at their homes, but Fleetwood did not allow any moves. Although Caillat was impressed with the set-up, he felt that the room lacked ambience because of its "very dead speakers" and large amounts of soundproofing.

The record's working title in Sausalito was Yesterday's Gone. The latter was the only classically trained musician in Fleetwood Mac, but both shared a similar sense of musicality. Buckingham performed close to the rhythm section, while Christine McVie's keyboards were kept away from the drum kit.

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Caillat and Dashut spent about nine days working with a range of microphones and amplifiers to get a larger sound, before discovering they could adjust the sound effectively on the API mixing console. As the studio sessions progressed, the band members' new intimate relationships that formed after various separations started to have a negative effect on Fleetwood Mac. At the time, the hippie movement still affected Sausalito's culture and drugs were readily available. Open-ended budgets enabled the band and the engineers to become self-indulgent; [13] [22] sleepless nights and the extensive use of cocaine marked much of the album's production.

Nicks has suggested that Fleetwood Mac created the best music when in the worst shape, [22] while, according to Buckingham, the tensions between band members informed the recording process and led to "the whole being more than the sum of the parts". Following over two months in Sausalito, Fleetwood arranged a ten-day tour to give the band a break and fan feedback. Christine McVie and Nicks did not attend most of the sessions and took time off until they were needed to record any remaining vocals.

The rest of Fleetwood Mac, with Caillat and Dashut, struggled to finalise the overdubbing and mixing of Rumours after the Sausalito tapes were damaged by repeated use during recording; the kick and snare drum audio tracks sounded "lifeless". Through a pair of headphones which played the damaged tapes in his left ear and the safety master recordings in his right, he converged their respective speeds aided by the timings provided by the snare and hi-hat audio tracks.

After the final mastering stage and hearing the songs back-to-back, the band members sensed they had recorded something "pretty powerful". Fleetwood Mac's main writers — Buckingham, Christine McVie and Nicks — worked individually on songs but sometimes shared lyrics with each other. All songs on Rumours concern personal, often troubled relationships. She noted that Buckingham helped her craft the verses because their personal sensibilities overlapped.

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Her own song "Gold Dust Woman" is inspired by Los Angeles and the hardship encountered in such a city. Featuring a soft rock and pop rock sound, [47] [48] Rumours is built around a mix of acoustic and electric instrumentation. The record often includes stressed drum sounds and distinctive percussion such as congas and maracas.

It opens with "Second Hand News", originally an acoustic demo titled "Strummer". After hearing Bee Gees ' " Jive Talkin' ", Buckingham and co-producer Dashut built up the song with four audio tracks of electric guitar and the use of chair percussion to evoke Celtic rock. The third track on Rumours , "Never Going Back Again", began as "Brushes", a simple acoustic guitar tune played by Buckingham, with snare rolls by Fleetwood using brushes ; the band added vocals and further instrumental audio tracks to make it more layered.

In the latter instrument, nails are placed on the points where the hammers hit the strings, producing a more percussive sound.

The album's pace slows down with "Songbird", conceived solely by Christine McVie using a nine-foot Steinway piano. Side two of Rumours begins with "The Chain", one of the record's most complicated compositions.

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A Christine McVie demo, "Keep Me There", [19] and a Nicks song were re-cut in the studio and were heavily edited to form parts of the track. The ninth track on Rumours , "I Don't Want to Know", makes use of a twelve string guitar and harmonising vocals. The album ends with "Gold Dust Woman", a song inspired by free jazz , which has music from a harpsichord , a Fender Stratocaster guitar, and a dobro , an acoustic guitar whose sound is produced by one or more metal cones.


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Rumours has been acclaimed by music critics since its release. Robert Christgau , reviewing in The Village Voice , gave the album an "A" and described it as "more consistent and more eccentric" than its predecessor. He added that it "jumps right out of the speakers at you".

The story behind Fleetwood Mac’s ‘Rumours’

Petersburg Times claimed the songs are "as grandly glossy as anything right now". In a retrospective review, AllMusic editor Stephen Thomas Erlewine gave Rumours five stars and noted that, regardless of the voyeuristic element, the record was "an unparalleled blockbuster" because of the music's quality; he concluded, "Each tune, each phrase regains its raw, immediate emotional power—which is why Rumours touched a nerve upon its release, and has since transcended its era to be one of the greatest, most compelling pop albums of all time.

Here is a radio-friendly record about anger, recrimination, and loss. Rumours was a huge commercial success and became Fleetwood Mac's second US number one record, following the eponymous release. By , 13 million copies of Rumours had been sold worldwide. Mick Fleetwood has called Rumours "the most important album we ever made", because its success allowed the group to continue recording for years to come.

The record contained each song of the original Rumours covered by a different act influenced by it. Adapted from the album's credits and AllMusic. From Wikipedia, the free encyclopedia. This article is about the album by Fleetwood Mac. For the album by Arrogance, see Rumors album. For other uses, see Rumor disambiguation. Fleetwood Mac. Pop rock soft rock. The sessions were like a cocktail party every night—people everywhere. We ended up staying in these weird hospital rooms The lyrics of "Don't Stop" are about having an optimistic outlook on life.

Inspired by the triple step , the song contains music from both normal and prepared pianos. Buckingham Mick Fleetwood C. McVie J. McVie Buckingham Fleetwood. McVie Buckingham Fleetwood Nicks. Worthington — photography. Library of Congress. Retrieved 21 March Rolling Stone. Archived from the original on 9 May Retrieved 14 April Sound on Sound. Retrieved 30 December Warner Bros. Los Angeles Times. Billboard Books. Omnibus Press. Retrieved 28 December Retrieved 19 March Archived from the original on 12 March Musicians in Tune.

The Daily Telegraph. Retrieved 25 February The Irish Times. Retrieved 13 July American Songwriter. Retrieved 9 December Archived from the original on 19 October Christgau's Record Guide: Rock Albums of the '70s.


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