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Yeovil did not have much going for it. Apart from Acorn Records. Sometimes one of us even had enough money to buy a record. But Acorn Records was more than a place to just buy records. Without Acorn Records, it would have had nothing. Every town needs an independent record store.

Whatever city I'm in I always gotta find that indie so I know what's going on! The reason I am touring independent record stores from San Diego to Seattle this April is that I want to play for free, to people of all ages, at a reasonable hour, in a place we love to be.

I'm touring at my own expense, because I don't want the economy to stand between my music and people that might want to hear it. Bring your X records, the kids, shop independent, and let's have a party! I will!

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I am singlehandedly supporting what's left of the record business. I hate to see record stores disappear, and I'm old-school in that I think you should pay for your music. But what my kids do is download a lot of things, pay for them, and then if they love something, they'll get the CD. That may be the future. In some ways, that retail experience is as important as the music. I been out here for 10 years and before the deal They know the songs on my cds. They look like me, straight out the hood. They know whats hot and what is on they shelf. We scour the bins of countless dusty record stores until our fingers are black as if we are going to, one day, find satisfaction in our collection.

That day never comes. If anything the longer we search, the more we distance ourselves from any sort of an end. Like junkies who require a more potent dose to get high, so do record collectors and we all know you get the best shit at indie record stores. Around every turn there is a new kick, a new branch of musical lineage to explore. It is the focal point of your local music scene.

It is the focal point of all local music scenes. It is where you find out about up-coming concerts. It is the birthplace of thousands of musical junkies. If the future of music is free of indie record stores we might as well hand over the white house keys to a bunch of pedophile Nazis and give up on culture all together. Record stores have always been of great importance to me. When I traveled with bands during high school, a city's worth and importance to us was often decided by its record stores. Our schedule was often based around the stores. Charleston had We always made sure to have extra time in those cities because those were the only places we could buy the records we were searching for.

Park Ave CD's was the only thing that kept me sane during my year at school in Orlando. I am all for moving forward and being part of the future of music and how it is bought and listened to, but there is something very romantic and satisfying about wandering through a store and stumbling upon records or getting a tip on a new record from someone at the store. I miss that when I buy records online. If you try to defend it they just get feisty and say they deserve free music.

Please support the indies and do whatever you can to spread music experience and purity! While all this is going on I might try to ask the clerk if they have a copy of the Nerves "Hangin on the telephone" EP that might impress them. And for the girls: looking for music in a real record store will amplify your beauty more than most other activities. In this way I first became acquainted with Stravinsky's recording of The Rite of Spring - nothing like that was to be heard in provincial Seattle of the s - as well as John Kirkpatrick's landmark recording of Ives' Concord Sonata.

Both were overwhelming experiences for me and would form a great part of my musical universe, my compositional toolbox, and do so to this day. Had I not had a chance to hear these works for myself as a little boy, I might well have learned them ten years later, and they would have still had a terrific effect on me, but not as defining to my compositional life as they had when I was small. I also still think with fondness of places like The Record Hunter and Discophile in New York, where one could have an intelligent discourse with the store owners and clerks, say, about which opera recording to buy; this kind of store with rare exceptions here or there; I know of one left like that on Commonwealth Avenue in Boston is only a memory in the US.

Without a human contact in a store, the educational aspect of buying recordings is gone. Marketing becomes the only way to explore the choices, and this is one more case of market-force thinking actually taking away one's freedom to choose. For me the ideal store would revive the listening booths. But short of that, a store should have people in it who know and care about what they're selling. You can't find that contact in purely electronic media.

I know that downloading and streaming are the musical dissemination modes of the future, but maybe if young people would be made aware of what is lost by just hooking up with music on the iPod It could revolutionize musical taste. We need to revitalize the recording store! Bring back knowledgeable salespeople! Bring back the booth! For more information about the music and life of William Bolcom, please check out the following resources: wbolcom umich. Raspberries in Erie, PA was my first visit. It was a wonderland of my potential future. Stores from Birmingham to San Francisco have been turning people into life long fans of my music, Train's and countless other bands and artists for as long as I can remember.

I miss being able to see a great Independent music store as often as I used to. With that said though, they are still as strong a contributor to the music business as ever. They're where I got my start. Thank you all! We couldn't afford to buy anything so we would just hang there all day - it was really like Oz to us.

I got my entire musical education from that record store and the radio. We would hear the songs and the bands on the radio and we'd go straight to Paula's and stare at the covers and read the album notes. It was the only record store in town. There weren't any big conglomerates or any other record outlets. It was just this little shop - it seemed at that time so huge to me, but I know now it was just this little bitty building. My friends and I couldn't believe it when we went in there. It was like magic to us.

When I'm out on tour or on location, I'll find whatever independent record store is around and that's where I'll go. There are still some cities that have record stores that give me that same feeling when I used to walk into Paula's. I usually have to get an extra suitcase to bring home with me on the plane to carry everything I bought at those shops! Independent record stores are really the only places left with the actual spirit of music as I knew it growing up, and hopefully those will be around for 50 years from now because that's where it feels magical - you don't feel like you're buying a tire iron, tube of shampoo, a 12 pack, a bag of Cheetos and a record.

Independent record stores are aural cathedrals, havens for those who find music as much a spiritual endeavor as passing entertainment. A long time ago, people that made music meant it, people that bought it cared and celebrated the listening to it as an activity unto itself. They read the liner notes like a sacred text and conversed for hours on the intricacies of a band, a sound, a producer, a label, the artwork, a movement. Oh yes, in a store, face to face. Uphold that tradition. Honor our stores that still exist that cater to people making music that still care, and fans that do too.

These stores and music outlets are passionate and proven effective. Without [those stores] our band would be nowhere. They take chances, support bands no one knows, and most importantly--they care and love the product they share. We are incredibly grateful and have to continue to support them in every way we can.

They respond to the street faster than the chains can. They help us telegraph to each other what's "now" and what's not, what we should be telling our friends and neighbors about, and what's about to take off, or, no longer hot. Musical trends are confirmed at the local independent record store, by you and me. Hanging out, listening to something you've never heard before, being enlightened by the staff, getting into something new, finding that old recording you've been searching for, having your local band's newest offering stocked right next to major label stuff, it all happens at the local indie shop.

Why would we want to do away with all that? It seems like whatever situation you're going thru in your life there is a song or artist that can describe it perfectly, whether its a happy feeling, or something bad, there's an artist and song that can describe it perfectly. If I'm struggling with something in my life, then the right song will help me thru it. The record store is like a giant medicine cabinet. Its an environment of people of all walks of life that are professionals in what they do. The opinion of those people working at record stores are so important to me as a customer.

They'll tell me what's good and let me know the truth on what's only hype. They'll tell me "when you buy this listen to track 6" and might even say, "there's only 2 really good songs on there, the rest is just B. When I buy music I want quality music. At the record store they can let me know what's good, not just what the top seller is. We drove straight from San Francisco, pulled up to the back of the store, dragged our entire setup inside and played our new album, Rook, start-to-finish - and they let us get away with it.

In college there was a shop that took my first EP on consignment. When I did my first LP there were 7 shops in Chicago that took my CD, straight from my hand, and weeks later gave me lunch money. Digital is convenient. Shops have character, and have always supported the independent and the major artist. They support the artist. Selling records is an art, too. My own favourite is Concerto in Amsterdam. A visit to this store is almost religious for me.

I take a deep breath before I enter, go all quiet, and the journey begins in the search for something new. It is a tactile, physical journey, involving artwork, photographs, liner notes. It involves questions and answers to people who share my love of music. People who know so much more than I do, who guide me to the places i need to be, to hear what i am hoping to hear.

When eventually I leave the store, I am enriched, having invested time, energy, and usually around euros in this journey. My life long love affair with music and songs is all about people. I have no problem with progress, as long as progress is actually what is happening. The impending death of record stores represents an enormous tragedy for society. The downloading of cds for free, for an independent singer like me, is robbing the food from my mouth.

In a lot of ways, I go to them for the news about what's happening in town and what new records are perking people's ears. It adds strength to the sense of a musical community in my city. I enjoy the experience of visiting a store and potentially being tipped off to a new band, or a rediscovered one, that I may not have heard before. I've dropped thousands of dollars over the years at Fingerprints in Long Beach. They are a great supporter of independent and local music. Buy music kids! Keep the eclectic sounds alive.

So many options, plus flipping through vinyl is so much fun. Packaging of an album is a creative art form. You can't get this experience on iTunes. I'm an avid supporter of retail in California Amoeba, Origami, Aquarius Rare imports that are not available on iTunes anyway.

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When I'm on the road I do my best to pop into local record stores and I can't tell you how much groovy music I've been turned on to from those great indie stores that really know their selection If it wasn't for Liverpool's independent record shops, Ladytron probably wouldn't have ever come into existence. To me indie record stores are a place to make new discoveries or to find music that you knew about but thought was lost. Most of these stores know their best customers by name and will happily make a recommendation of what's new, cool and amazing.

These are the places where surprising new bands are featured alongside the all time greats.

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Record stores are also great places to hang out and gossip about whatever's going on, musically or otherwise. They are the safe haven for the music nerd who can't get enough inside information about the bands and artists he loves. It introduced me to some of the best music, which at times had fallen under the radar or not yet achieved the success it should have. What would the music world be without the local record stores! I was reminded of that yesterday at Criminal Records when I stopped in to do a signing there.

I can't overstate how good it feels to place an original pressing of 'veedon fleece' in your most underused of shirts and pack it into your suitcase, anxiously awaiting the day you get home so that you can play it as though it was your reward or trophy from the long journey you had just finished embarking on. I used to work at an indie record shop so I'll always have a soft spot for the places where I still go to find the most vital music, whether new or still hidden. For me, my family's record collection was my gateway drug to the record store.

Also my older sister's rap tape collection that made me want to own my own music - she was stingy with loaning me tapes! The local record stores became like my gateways for expanding my knowledge of hip hop culture in various neighborhoods and cities worldwide. I know we got the internet today, but honestly, it sucks even trying to buy music online sometimes i think i'm getting the right version of some song or lp, then i buy it and it was the wrong version - i end up buying it like 3 times on 3 diff projects I'd rather just go to the store and ask a cat or even listen to it there at the store.

Also, there's the looking at the art and touching the product - let's not get so disconnected with the physical product that we become virtual fans - naw man! Besides, DJs who actually spin at clubs and on the radio always seem to be able to get a job at a record store, so those types are on deck to influence the ears of impressionable youth as I was. I hope there are record stores that continue to stay open no matter what and those fans and artists like me who wanna keep supporting em!

We don't want our record stores going the way of the independent pharmacy which unfortunately is pretty much the way of the dinosaur. I love getting lost trying to master every section, walking with a stack of possible purchases and weighing all my choices at the end of it. Nothing will ever replace that for me. Records used to mean vinyl, then cassettes, then cd's, and now downloads. Like currency, they got smaller and are now almost invisible.

The record stores were a great network where music fans could listen to what was out there without necessarily having to buy it. These sacred objects and their slightly less sacred descendants, the tape and the compact disc were the closest you could get to the act itself: like portable shrines with holy relics. Scott McCaughey, Peter Buck and Bill Rieflin, who comprise the Venus 3, my American band, all heard my songs for the first time in the record stores where they worked. It's probable they also first heard each other's music like that, too.

Hopefully some will survive as boutique oases where music lovers can browse and meet not just the music but each other. You can't get everything through the post One of my most vivid record store memories was being in Belmont Records in Springfield, Massachusetts when the first shipment of Bruce Springsteen's "Darkness on the Edge of Town" arrived. I helped the manager, John Dougan, unpack the boxes. We pulled out the first two copies, looked at the great cover shot, then flipped it over to the list of songs on the back, imagining their greatness solely by their titles: "Badlands", "Candy's Room", "Racing In The Streets", "Prove It All Night", "Promised Land" How could they not be great songs with titles like these?!

We put the album on the store's turntable, blasted it, and we were right - it was incredible. I must confess that I use iTunes and buy CD's online when I'm not near a record store, but I'll never have a moment like that sitting at my computer. I can't imagine what my life would have been without all the hours and money I "wasted" in record stores. My father's word, not mine. I don't know what I would do without indie record stores. Having grown up in a town without them, I can tell you that it's no fun to shop for indie records at chain box stores.

Actually, they still are. As anybody who knows me can attest, I love record stores. I can spend hours browsing the racks, where one album will remind me of something else I want to look for, and so on and so on. I have fond memories as a teen of trips to Omaha and making my folks take me to the late, lamented Peaches record store there, and saving up my spare change to buy that new Talking Heads album, or the latest release by The Cars.

I especially enjoyed hearing something new in the store while shopping, asking the guy behind the counter who it was, and going home with a new discovery, and a whole list of future purchases. Long live the record store! I love that people actually care for and know about the music they are selling. Sure there were cd's and tapes, but records, man to this day you can't beat the way a record sounds smells and feels. So anyway there was this place in Pasadena where I grew up called Moby Disc. As a kid passing by in the car you'd see all the freaks coming in and out of it- mohawks and piercings, tattoos and shredded clothes-and I was scared of it for sure.

I thought to inside its doors and images of eternal damnation would flash through my head all the while Nancy Reagan repeating, "just say no. I became a regular. Inside there were no devils, or a crack den, just thousands of used records priced perfect for the teenage budget. I collected all the Beatles records I could find.

I developed and nurtured a serious Bee Gees disco-era infatuation. I remember both worlds coming together as I blew the dust off the "Sergeant Peppers Lonely Hearts Club Band" movie soundtrack, featuring none other than the Bee Gees themselves, and disco renditions of Beatles faves. The record store served more than one purpose, it was a hang out, an identity building workshop, a community center and a pawn shop where a couple old cd's could buy a broke little punk some smokes.

As the saying goes, they just don't make 'em like they used to. These places were more than stores, they were gathering places and hubs of information. They were the heart of the LA Hardcore scene and it would never have existed without them. We're delighted to be releasing a one-off vinyl single only available in independent shops as part of Record Store Day.

It is where you can talk to people who are like you. They look like you, think like you and, most tellingly like the same music as you - the only comparable experience these days would probably be an art museum - an actual place where you can stand and simply be surrounded by your heroes.

If we lose the independents then we lose a total culture of people who are aware that all the interesting bands and music start at this place and are fed by music lovers directly on a personal level rather than a sea of corporate mediocrity. Look for my new CD in late It's here that one can open a chest of gold worthy of shaping a unique personality, taste, and outlook on the world. Just as religions have temples where people go to find God, listeners have record stores where they go to find themselves.

The greatest stores that have character and include a much wider range of music of music are all independent, mom and pop stores. Of course. It is home. The independent record store is a reflection of people's deep love and commitment to music. These are places where all can gather and share our diverse interest in a common theme, music.

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The owners of such take pride in their ability to lead us, while fighting hard to survive. By comparison, the internet is a clean room in a hospital -- it lacks the funk and feeling of a place with floors and ceilings and racks full of soul-stirring goodness. May they persist till someone turns the lights out on this small planet!

Here's to the true believers -- keep the faith, brothers and sisters! Bill's Records and Tapes "And Tapes"?!? I discovered my calling, my passion though I dare say it wasn't the passion Bill wanted me to discover - if you know Bill, you know what I'm talking about, but I digress , in indie record stores. There was a little chain called Peaches that featured handprints in stone blocks of all my favorite rockers.

I discovered that my 12 year old hands were the exact same size as Joan Jett's when she was in the Runaways. Something magical happens in these stores. Like if you stand there long enough, you realize that the fourth wall doesn't exist, that you can be on the stage or in the studio just like your heroes. Thank god for the indies. The artist and the independent music store share in a symbiotic relationship based on a mutual appreciation and passion for new music that ultimately benefits us all, whether we realize it now or not. Without the mom and pops pushing those little records full of big ideas, where would we be?

How can you not be behind that? So check in with what's going on down at your local store - slip on your sneakers, grab a cup of coffee, and go get your fingers dirty browsing the stacks, because there's no replacing the experience of community and the enjoyment of good tunes. I still believe in the religious experience of going into a record store, getting what you need, or finding something new and having that moment of excitement when you get back to the car and the frustration of ripping off that sticky thing.

I've found a lot of my favorite artists and bands through the recommendations of whoever is working at the store. I remember specifically the day Fiona Apple's "Tidal" came out, it was a Tuesday, I was in 6th grade and I bought this record having never heard of the girl, and I was totally and still am slayed by it. And now it's becoming common knowledge that CDs have more digital information than most files, so they sound better.

A great or even good record store is like no other. Where true fandom begins. It's the soul of discovery, and the place where you can always return for that mighty buzz. The posters. The imports. The magazines. The discerning clerks, paid in vinyl, professors of the groove. Long live that first step inside, when the music envelopes you and you can't help it. You walk up to the counter and ask the question that begins the journey -- "what is that you're playing? My first job was working at a record store. While touring, I still always hit my favorite record stores.

What is not to love about record stores? To be surrounded by millions of records, some that you know and love and others that are hidden treasures waiting to be discovered. If you like Mac Lethal, you may also like:. Grand's Sixth Sense by Sixth Sense. Still Motion by Natti. This project is a masterpiece!! The quality of production, lyricism, rhyme flow, and instrumentation is of the finest caliber, I have heard, maybe ever. Start to finish this project and the experience is indescribable.

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